Robert Fischer - Double Feature

Robert Fischer

'Deep End': Remembering the Deleted Scenes
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Acting for Douglas Sirk
The Beast Inside: Creating 'Wolf'
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Before Taking Off: Milos Forman’s Road to America
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Contract Kid: William Reynolds on Douglas Sirk
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Dalton Trumbo: Rebel in Hollywood
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Erinnerungen an 'Väter und Söhne'
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Expedition Amazonia
Fassbinder in Hollywood
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
The Fury: A Location Journal
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Jack Arnold Remembers The Incredible Shrinking Man
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Life As It Is: Miloš Forman on Miloš Forman
Love Letters
The Making of Highlander
Monsieur Truffaut Meets Mr. Hitchcock
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
Of Love and Constraints
Outer Movement, Inner Movement
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Perspectives on Othello: Joseph McBride on Orson Welles
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Program Notes: An Introduction To The Last Detail By Alexander Payne
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
Rag Doll Memories: Nancy Allen on 'Blow Out'
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
Requiem for a Killer: The Making of 'Blast of Silence'
Return to Beethoven Street: Sam Fuller in Germany
Return to Philadelphia: George Litto on 'Blow Out'
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Starting Out: The Making of Jerzy Skolimowski's Deep End
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Swan Song: The Story of Billy Wilder's Fedora
Ted Kotcheff's Gourmet Cinema
Touching Death: Alejandro Amenábar on 'Tesis'
Traveling Roadshow
A Tribute to Douglas Sirk by Allison Anders
Will He Live or Will He Die: Walter Hill on Southern Comfort
A Winter's War: Keith Gordon on 'A Midnight Clear'
'Deep End': Remembering the Deleted Scenes
The Beast Inside: Creating 'Wolf'
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Before Taking Off: Milos Forman’s Road to America
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Dalton Trumbo: Rebel in Hollywood
Erinnerungen an 'Väter und Söhne'
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Fassbinder in Hollywood
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
The Fury: A Location Journal
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Perspectives on Othello: Joseph McBride on Orson Welles
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Return to Beethoven Street: Sam Fuller in Germany
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Swan Song: The Story of Billy Wilder's Fedora
Ted Kotcheff's Gourmet Cinema
Touching Death: Alejandro Amenábar on 'Tesis'
A Tribute to Douglas Sirk by Allison Anders
Acting for Douglas Sirk
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Budd Boetticher on the Ranown Cycle
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Hans Fromm on 'Phoenix'
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Le Plaisir: From Script to Screen
Love Letters
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Perspectives on Othello: Joseph McBride on Orson Welles
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Program Notes: An Introduction To The Last Detail By Alexander Payne
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Ted Kotcheff's Gourmet Cinema
Touching Death: Alejandro Amenábar on 'Tesis'
A Tribute to Douglas Sirk by Allison Anders
Working with François Truffaut: Nestor Almendros, Director of Photography
Working with Max Ophuls: Annette Wademant, Co-Writer
Working with Max Ophuls: Daniel Gélin on "La Ronde"
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Working with Max Ophuls: Marc Frédérix, Assistant Decorator
Working with Max Ophuls: Robert Christidès, Set Decorator
Working with Max Ophuls: Tony Aboyantz, Assistant Director

Film Data from TMDb

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