Robert Fischer - Double Feature

Robert Fischer

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Will He Live or Will He Die: Walter Hill on Southern Comfort
Monsieur Truffaut Meets Mr. Hitchcock
'Deep End': Remembering the Deleted Scenes
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Swan Song: The Story of Billy Wilder's Fedora
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Fassbinder in Hollywood
The Beast Inside: Creating 'Wolf'
Touching Death: Alejandro Amenábar on 'Tesis'
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
A Tribute to Douglas Sirk by Allison Anders
Requiem for a Killer: The Making of 'Blast of Silence'
Ted Kotcheff's Gourmet Cinema
Return to Beethoven Street: Sam Fuller in Germany
Dalton Trumbo: Rebel in Hollywood
Love Letters
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
Acting for Douglas Sirk
Starting Out: The Making of Jerzy Skolimowski's Deep End
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Rag Doll Memories: Nancy Allen on 'Blow Out'
Outer Movement, Inner Movement
The Fury: A Location Journal
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Life As It Is: Miloš Forman on Miloš Forman
Perspectives on Othello: Joseph McBride on Orson Welles
A Winter's War: Keith Gordon on 'A Midnight Clear'
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Jack Arnold Remembers The Incredible Shrinking Man
Traveling Roadshow
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
Of Love and Constraints
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Contract Kid: William Reynolds on Douglas Sirk
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
The Making of Highlander
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
Return to Philadelphia: George Litto on 'Blow Out'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Before Taking Off: Milos Forman’s Road to America
Erinnerungen an 'Väter und Söhne'
Expedition Amazonia
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
'Deep End': Remembering the Deleted Scenes
Swan Song: The Story of Billy Wilder's Fedora
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Fassbinder in Hollywood
The Beast Inside: Creating 'Wolf'
Touching Death: Alejandro Amenábar on 'Tesis'
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
A Tribute to Douglas Sirk by Allison Anders
Ted Kotcheff's Gourmet Cinema
Return to Beethoven Street: Sam Fuller in Germany
Dalton Trumbo: Rebel in Hollywood
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
The Fury: A Location Journal
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Perspectives on Othello: Joseph McBride on Orson Welles
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Before Taking Off: Milos Forman’s Road to America
Erinnerungen an 'Väter und Söhne'
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Budd Boetticher on the Ranown Cycle
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Working with François Truffaut: Nestor Almendros, Director of Photography
Touching Death: Alejandro Amenábar on 'Tesis'
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
A Tribute to Douglas Sirk by Allison Anders
Ted Kotcheff's Gourmet Cinema
Working with Max Ophuls: Daniel Gélin on "La Ronde"
Love Letters
Acting for Douglas Sirk
Le Plaisir: From Script to Screen
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Perspectives on Othello: Joseph McBride on Orson Welles
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Working with Max Ophuls: Tony Aboyantz, Assistant Director
Working with Max Ophuls: Annette Wademant, Co-Writer
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Hans Fromm on 'Phoenix'
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Working with Max Ophuls: Marc Frédérix, Assistant Decorator
Working with Max Ophuls: Robert Christidès, Set Decorator

Film Data from TMDb

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