Robert Fischer - Double Feature

Robert Fischer

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Monsieur Truffaut Meets Mr. Hitchcock
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Return to Beethoven Street: Sam Fuller in Germany
Fassbinder in Hollywood
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Traveling Roadshow
A Tribute to Douglas Sirk by Allison Anders
Requiem for a Killer: The Making of 'Blast of Silence'
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Starting Out: The Making of Jerzy Skolimowski's Deep End
Life As It Is: Miloš Forman on Miloš Forman
Perspectives on Othello: Joseph McBride on Orson Welles
Contract Kid: William Reynolds on Douglas Sirk
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
Acting for Douglas Sirk
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
A Winter's War: Keith Gordon on 'A Midnight Clear'
Dalton Trumbo: Rebel in Hollywood
Outer Movement, Inner Movement
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
Love Letters
'Deep End': Remembering the Deleted Scenes
Swan Song: The Story of Billy Wilder's Fedora
Rag Doll Memories: Nancy Allen on 'Blow Out'
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Program Notes: An Introduction To The Last Detail By Alexander Payne
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Touching Death: Alejandro Amenábar on 'Tesis'
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
The Beast Inside: Creating 'Wolf'
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Jack Arnold Remembers The Incredible Shrinking Man
A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Return to Philadelphia: George Litto on 'Blow Out'
Ted Kotcheff's Gourmet Cinema
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Will He Live or Will He Die: Walter Hill on Southern Comfort
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Erinnerungen an 'Väter und Söhne'
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
Before Taking Off: Milos Forman’s Road to America
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
The Fury: A Location Journal
The Making of Highlander
Expedition Amazonia
Of Love and Constraints
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Return to Beethoven Street: Sam Fuller in Germany
Fassbinder in Hollywood
A Tribute to Douglas Sirk by Allison Anders
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Perspectives on Othello: Joseph McBride on Orson Welles
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Dalton Trumbo: Rebel in Hollywood
The Poet and the Filmmaker: Volker Schlöndorff on Baal
'Deep End': Remembering the Deleted Scenes
Swan Song: The Story of Billy Wilder's Fedora
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Touching Death: Alejandro Amenábar on 'Tesis'
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
The Beast Inside: Creating 'Wolf'
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Ted Kotcheff's Gourmet Cinema
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Erinnerungen an 'Väter und Söhne'
Before Taking Off: Milos Forman’s Road to America
The Fury: A Location Journal
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
A Tribute to Douglas Sirk by Allison Anders
Perspectives on Othello: Joseph McBride on Orson Welles
Acting for Douglas Sirk
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Working with François Truffaut: Nestor Almendros, Director of Photography
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Love Letters
Budd Boetticher on the Ranown Cycle
Program Notes: An Introduction To The Last Detail By Alexander Payne
Working with Max Ophuls: Annette Wademant, Co-Writer
Touching Death: Alejandro Amenábar on 'Tesis'
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Working with Max Ophuls: Marc Frédérix, Assistant Decorator
Le Plaisir: From Script to Screen
Working with Max Ophuls: Robert Christidès, Set Decorator
Ted Kotcheff's Gourmet Cinema
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Working with Max Ophuls: Daniel Gélin on "La Ronde"
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Hans Fromm on 'Phoenix'
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Working with Max Ophuls: Tony Aboyantz, Assistant Director

Film Data from TMDb

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