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Paul Bartel - Double Feature
Paul Bartel
Paul Bartel (August 6, 1938 – May 13, 2000) was an American director, writer and actor.
Acting (81)
Directing (13)
Writing (10)
Popularity
Popularity
Title
Release Date
Newest First
Oldest First
The Usual Suspects
Gremlins 2: The New Batch
Escape from L.A.
Piranha
National Lampoon's European Vacation
Into the Night
Death Race 2000
Joe's Apartment
Amazon Women on the Moon
Caddyshack II
Basquiat
Chopping Mall
Big Bad Mama
Munchies
Posse
Hi, Mom!
Twin Sitters
Hamlet
Follow That Bird
Cannonball
The Living End
Frankenweenie
White Dog
Eating Raoul
Shakedown
The Jerky Boys
Hollywood Boulevard
The Devil's Child
Desire and Hell at Sunset Motel
The Elevator
Rock 'n' Roll High School
Out of the Dark
Get Crazy
The Inheritance
Corman's World
Heart Like a Wheel
Grand Theft Auto
The Pope Must Die
Not Like Us
Baja Oklahoma
A Bucket of Blood
Skeletons
Killer Party
Heartbeeps
Soulmates
Far Out Man
Prey of the Jaguar
Mortuary Academy
Naomi & Wynonna: Love Can Build a Bridge
Hard Time: The Premonition
Lost in the Garden of the World
Number One Fan
The Longshot
Private Parts
Billy's Hollywood Screen Kiss
The Hustler of Muscle Beach
Lewis & Clark & George
Demonella
Scenes from the Class Struggle in Beverly Hills
Round Up: Deposing 'The Usual Suspects'
Sex, Shock & Censorship in the 90's
Eat My Dust
Citizen Steve
Trick or Treats
Liquid Dreams
Perfect Fit
Pucker Up and Bark Like a Dog
Made in the USA
Grief
Race
Red Ribbon Blues
Acting on Impulse
The Raven Red Kiss-Off
Not for Publication
Shelf Life
Wild Turkey
Dreamers
Roger Corman: Hollywood's Wild Angel
The Wacky Adventures of Dr. Boris and Nurse Shirley
Utterly Without Redeeming Social Value
Love and Happiness
Death Race 2000
Cannonball
Eating Raoul
Lust in the Dust
The Longshot
Private Parts
Demonella
Scenes from the Class Struggle in Beverly Hills
Naughty Nurse
Not for Publication
Shelf Life
The Secret Cinema
Progetti
Cannonball
Eating Raoul
Mortuary Academy
Private Parts
Demonella
Scenes from the Class Struggle in Beverly Hills
Naughty Nurse
Not for Publication
Utterly Without Redeeming Social Value
The Secret Cinema