Adapted magnificently to the screen by the director Khoa Lê, the diptych serves both as an archive of research and creation work aborted by the constraints of an uncertain era and as a delicate and unique cinematographic object.
Adapted magnificently to the screen by the director Khoa Lê, the diptych serves both as an archive of research and creation work aborted by the constraints of an uncertain era and as a delicate and unique cinematographic object.
