The film seeks to address the risks that Ziraldo's work takes. In a building abandoned ten years ago, the cartoonist's "Santa Ceia", a six-meter-high work painted in 1967, is far from the public and subject to the effects of time
The film seeks to address the risks that Ziraldo's work takes. In a building abandoned ten years ago, the cartoonist's "Santa Ceia", a six-meter-high work painted in 1967, is far from the public and subject to the effects of time
