Deep Six has three starting points: a little narrative re-edited from a Hollywood B-film (The Rage, 1998), an attempt to use the color photocopy as a cinematic aesthetic and to explore the frame line as a dynamic visual element.
Deep Six has three starting points: a little narrative re-edited from a Hollywood B-film (The Rage, 1998), an attempt to use the color photocopy as a cinematic aesthetic and to explore the frame line as a dynamic visual element.
