Shot on Yokohama’s famous Cosmo Clock 21 Ferris Wheel using a telephoto lens, Japanese experimentalist Tomonari Nishikawa's film becomes a disorientingly trippy and constantly regenerating play of structural supports as filmic apparatus.
Shot on Yokohama’s famous Cosmo Clock 21 Ferris Wheel using a telephoto lens, Japanese experimentalist Tomonari Nishikawa's film becomes a disorientingly trippy and constantly regenerating play of structural supports as filmic apparatus.
