Harry Dodge's The Time Eaters, sparked by and in dialogue with Frances Richard's Anarch., follows the orientation of a freshly-minted human to earthly matters, both fleshly and phantasmagorical. This orientation, delivered by an ambiguously-gendered guide, is essentially a monologue that plays with comedic and narrative conventions while also exploring foundational questions about language: its relationship to knowledge, time, abstraction, experience, communication, and intimacy. As the title suggests, the video is also interested in the surfeit of information currently at our disposal, the time we take in downloading it, and the relationships forged by human animals in its haze.
