When she played ball, it was heads up.
Shot without sound, this is little more than a series of soft-core vignettes strung together via narration. Not a highlight in the careers of NYC sexploitation filmmakers Michael and Roberta Findlay.
Shot without sound, this is little more than a series of soft-core vignettes strung together via narration. Not a highlight in the careers of NYC sexploitation filmmakers Michael and Roberta Findlay.