When her station wagon conks out by a secluded house in the woods, a woman peers from the window and watches a string of peculiar goings-on next door. Josh Safdie’s 11-minute short turns a simple breakdown into a quietly absurd, deadpan set-piece.
When her station wagon conks out by a secluded house in the woods, a woman peers from the window and watches a string of peculiar goings-on next door. Josh Safdie’s 11-minute short turns a simple breakdown into a quietly absurd, deadpan set-piece.
