Evocation of the filmmaker, defined by João Bérnard da Costa as "a film about Murnau's ghost on the canvas, prolonging to paroxysm the game of doubles and the game of spectres".
Evocation of the filmmaker, defined by João Bérnard da Costa as "a film about Murnau's ghost on the canvas, prolonging to paroxysm the game of doubles and the game of spectres".
