In New York Lantern and Photographic Phantoms, a new narrative lyricism and political outspokenness enters Gehr’s cinema, haunted now by ghosts, from long-ago travels and struggles, that are gifted with an uncanny voice and presence.
In New York Lantern and Photographic Phantoms, a new narrative lyricism and political outspokenness enters Gehr’s cinema, haunted now by ghosts, from long-ago travels and struggles, that are gifted with an uncanny voice and presence.
