Jeff Keen thought that some of his previous films had been dominated by long-shots. In this film he grapples with the language of cinema, not as a means to inspire audience identification, but rather to make up for an imbalance.
Jeff Keen thought that some of his previous films had been dominated by long-shots. In this film he grapples with the language of cinema, not as a means to inspire audience identification, but rather to make up for an imbalance.
