In 1932 Hammid bought a handheld camera Bell-Howell and made his second film, Na Pražském hradě [Prague Castle], in close collaboration with the composer of the sound track, striving for an organic intertwining of image and music.
In 1932 Hammid bought a handheld camera Bell-Howell and made his second film, Na Pražském hradě [Prague Castle], in close collaboration with the composer of the sound track, striving for an organic intertwining of image and music.