In Là-haut sur ces montagnes, Mclaren used for the first time a chain-of-mixes (chiaroscuro) on a pastel-drawn landscape. The idea for such a technique had been planted by seeing Alexandre Alexeïeff’s Night on Bare Mountain in the late thirties.
In Là-haut sur ces montagnes, Mclaren used for the first time a chain-of-mixes (chiaroscuro) on a pastel-drawn landscape. The idea for such a technique had been planted by seeing Alexandre Alexeïeff’s Night on Bare Mountain in the late thirties.
