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Nathaniel Dorsky's Spring conjures an abundant return of light and a retreat into nature so dense and rich that the film itself becomes a sort of wondrous garden-verdant, incandescent, with startling bursts of colour.
Nathaniel Dorsky's Spring conjures an abundant return of light and a retreat into nature so dense and rich that the film itself becomes a sort of wondrous garden-verdant, incandescent, with startling bursts of colour.