Tra synthesizes the narrative of Pasolini’s film Teorema (1968) by highlighting its interstitial moments. The act of running that appears throughout the film is isolated and deployed to expose the film’s subtextual currents.
Tra synthesizes the narrative of Pasolini’s film Teorema (1968) by highlighting its interstitial moments. The act of running that appears throughout the film is isolated and deployed to expose the film’s subtextual currents.
