Through the editing of archive footage and a reading of Ovidie's La Chair est triste hélas, Gabrielle Stemmer's collage film shatters the heterosexual model, a story that is both intimate and political.
Through the editing of archive footage and a reading of Ovidie's La Chair est triste hélas, Gabrielle Stemmer's collage film shatters the heterosexual model, a story that is both intimate and political.
