At once minimal and maximal, the latest experiment from Austrian formalist Björn Kämmerer recasts elements as simple as a campfire and three seated men into a paranoid play of gazes, variously suggesting assent and discordance.
At once minimal and maximal, the latest experiment from Austrian formalist Björn Kämmerer recasts elements as simple as a campfire and three seated men into a paranoid play of gazes, variously suggesting assent and discordance.
