Set in sites of apparently unspoiled natural beauty in remote locations in Taiwan with dream-destination names—Orchid Island, Thousand Island Lake, and Tianliao Moon World, the film, rendered in black and white, is infused with a sense of foreboding. Reflective of the underlying political and social complexities of Taiwan today, the dramatic contrasts of light and shadow and the use of aerial surveillance technology enhance the sense of unease. The camera, mounted on a drone, moves as if imbued with its own life force, hovering, floating in one location, or traveling from above to below as if investigating what it then captures. [Overview courtesy of Perrotin Gallery]
