grain contemplates the politics, poetics, and ethics of the image: how does one use images of others, and what does one do with them in the case they can not consent to this usage, because they are no longer alive? What are the consequences of the choices taken with these images? How such imagery use creates a culture of what is acceptable. My research and works have been insisting on finding a language to talk about these violences. How can we talk about these images without perpetuating further violence, and at the same time, by insistently talking about them?
