"In films shot on 16mm and Super 8 over many years, now edited digitally, I reflect on my many visits to the homes of Robert and June in a relentlessly changing NYC and a seemingly timeless Cape Breton." — Jem Cohen
"In films shot on 16mm and Super 8 over many years, now edited digitally, I reflect on my many visits to the homes of Robert and June in a relentlessly changing NYC and a seemingly timeless Cape Breton." — Jem Cohen
