The author explores what the experience of (not) using cameras in police work can tell us about the limits of documentary filmmaking. To answer this question, the viewer is offered a glimpse into the darkness with which each film begins and ends.
The author explores what the experience of (not) using cameras in police work can tell us about the limits of documentary filmmaking. To answer this question, the viewer is offered a glimpse into the darkness with which each film begins and ends.
