István Szabó reveals a lesser-known side to the public in this work, which strings together eight shorts of Budapest into a single movie. In the piece interpretable as a declaration of love addressed to the capital there are numerous motifs that are also to be found woven through the director’s major features, first and foremost Szerelmesfilm (Love Film), Tűzoltó utca 25. (25 Fireman’s Street) and Budapesti mesék (Budapest Tales). Besides allowing the viewer to marvel at the cityscape from 50 years ago in a series of fast-moving images, the film is still primarily about Szabó’s Budapest: his observations, his impressions, his imagination.
