The famed Hall of Mirrors sequence of Welles' classic noir The Lady from Shanghai is transformed through a succession of four algorithmic progressions of split screen patterns. The result is hypnotic, kaleidoscopic and a bit uncanny.
The famed Hall of Mirrors sequence of Welles' classic noir The Lady from Shanghai is transformed through a succession of four algorithmic progressions of split screen patterns. The result is hypnotic, kaleidoscopic and a bit uncanny.